Tag Archive | intention
June 29, 2013  

Marj Barstow: #1, “I Have to Move”, Brighton 1988

I first heard talk of Marj (Marjorie Barstow) when I was attending the STAT ‘think-tank’ in 1986, a sub-committee set up to look into the workings of the Society and suggest policy to STAT Council.  One of the teachers present commented that having attended a Marj workshop she was impressed that everyone there was given the experience of their head going forward and up as they went into movement.  At the time I found this comment somewhat strange, as I would have expected nothing less from an Alexander teacher, especially one trained by Alexander.

Many senior teachers in London were very negative and critical about her.  Some referred to the work she did with large groups of people as the ‘Alexander Technique by remote control’, meaning that she did not use her hands much but tried to guide people by speaking to them as they were moving around the room.

At the time all this seemed rather distant and unrelated to what I was learning and beginning to teach.

However, in 1988 I had the opportunity to see for myself. I had decided to attend the 2nd International Congress in Brighton and Marj was going to be there giving some master classes.

She was small, slight and stooped, obviously suffering already from the loss of bone density which was soon to worsen, but with bright, mischievous eyes and an eagle-like attention.

She started her master-class in a very unusual but captivating way.  Instead of standing on the stage she came down into the auditorium and stood in an obvious slump.

“What am I doing?” she asked in the long, drawn out vowels typical of her Nebraska accent, eliciting comments about her slumping or pulling down.  People were already interested and enlivened; her presentation was obviously going to be interactive.

“I am waiting for a friend and she is late and I am fed up.  I am really fed up”  drawled Marj. She mimicked looking at the time and being seriously fed up in tone of voice and posture.

“Now how am I going to get out of this mess I am in?” she challenged.

“Go home and leave her there!”

“Inhibit and direct!”

“Think up!”

“Release the tension!”

None of the suggestions offered were quite what she was looking for.

“If I want to get out of this mess then I am going to have to move” she said.  “It is only a question of what leads the movement, in what direction and what is the quality of the movement.  Watch me!”

She then simply put her head forward and up and moved off across the auditorium, her body releasing into length as she did so.

“If you are in a mess, you don’t have to stay there.  You can move.”

For those who had eyes to see, the whole of the Alexander Technique was there in that simple, practical demonstration. Inhibition, choice, decision, intention, direction, movement, means-whereby.  It was all there.

For the rest of the morning she worked with a group of volunteers on the stage and responded to various questions.  But for me, that first ten minutes had said it all. I decided to sign up for a five-day workshop with her in London later that Summer.

© 2013 John S Hunter

April 22, 2013  

Tips4Teachers – “…not to do…”

“When you are asked not to do something, instead of making the decision not to do it, you try to prevent yourself from doing it. But this only means that you decide to do it, and then use muscle tension to prevent yourself from doing it.”1

FM Alexander

How fortunate that Ethel Webb, whose ear was attuned to when FM Alexander said something worth taking note of, recognised the significance of these words spoken by him to a pupil during a lesson and wrote them down so that they could be preserved as one of the “teaching aphorisms”.

FM’s pupil, although he or she might have been saying inwardly the words “don’t do it, don’t do it!”, nevertheless had the intention to do it, and the body responds to intention not words.

One way I explain it to pupils is as follows:

The physical body is analogous to a well-trained animal, always listening to it’s master’s voice, waiting to be told what to do, wanting to obey and carry out what is asked of it. However, the language that we use for our inner and outer talking is not one either the animal or the physical body understands very well. In the case of the latter, every time we feel an impulse to act in some way we begin to stimulate neural activity, and muscles get ready to do work. The trouble is that we are so often very unclear about what we want, or don’t want, to do. The poor body gets contradictory messages and, like the animal in our analogy, begins to get stressed.

By making a decision and having a clear intention, the body begins to respond in a quite different way; sometimes mind and body can, like horse and rider, be as one. We are moving in the direction of greater integration.

This is not easy. Many people avoid making decisions, little realising the psycho-physical consequences thereof. Making decisions means taking more responsibility: it also means confronting the very deep-rooted patterns of so-called individuality to which we are very attached.

Fortunately there is another “individual” waiting to be discovered, but more on that another time.

Erika Whittaker told me once, much to my surprise at the time, that what Alexander really wanted from his pupils was that they would learn to make their own decisions. Over the years, this has come to mean more and more to me.

1. Teaching Aphorisms: The Alexander Journal No 7, 1972, published by the Society of Teachers of the Alexander Technique. Also published in Articles and Lectures by Mouritz (1995).

© 2013 John S Hunter

April 6, 2013  

Tips4Pupils – “Use” & “Self”

According to Erika Whittaker, when one of his students or pupils would complain to FM Alexander about something or other that was going on in their lives, his response was often to say:

“But it’s you! It’s you who’s doing it.”

So Alexander’s concept of “use” was total. It is not just about what you do or don’t do; or whether you do it with a free neck. It is about who you are: not “use of the body” but “use of the self”.

© 2013 John S Hunter

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